WEBVTT

NOTE 41. A Movie That Gets It Right

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A movie that gets it right.

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Who are the capitalist folk heroes of our time?

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The Social Network is a film that celebrates one of the greats, Facebook founder Mark Zuckerberg.

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It might seem at first like an impossibly boring story that resists moviemaking, how

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Facebook came to be founded and grew, meeting trials along the way and becoming the giant

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that it is today.

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In fact, it is not only a super exciting and wonderful movie on its own terms, it is probably

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the finest movie about free enterprise made in our times.

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It gets entrepreneurship in the real world exactly right.

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It deals brilliantly with all the important issues from the motivation or drive behind

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web startups, it is not necessarily money, and the impossibility of slicing and dicing

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The movie comes just in time.

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Facebook has been the victim of an increasingly vituperative campaign by the intelligentsia.

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It supposedly violates privacy, feeds crazed egoism, destroys lives by tempting people

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People who cough up too much information about themselves, wrecks marriages, leads teens

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to commit suicide, wastes vast time that people should otherwise be using to enjoy the great

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outdoors, ruins the culture by digitizing communication at the expense of real face-to-face

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interaction, and wrecks the language by dumbing down the term friend.

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Such are the alleged crimes of Facebook, and if you think that the website is guilty, there

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There is an easy answer, don't use it.

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Facebook is all voluntary, it is also free for everyone.

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People, the latest report has 500 million people signed up, but this will grow to 1

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billion and beyond, also happen to love it and depend on it.

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In fact, it is the most popular website ever.

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It has connected people as never before, allowing one person to keep up with the goings on,

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There is philosophical significance to the phrase social network.

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It echoes a distinction between the economic and political means, as made by Franz Oppenheimer,

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The Social Network is shorthand for the vast matrix of communication and exchange that

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springs from human volition alone.

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It is to society, in that Chudorovian sense, that Facebook owes its energy and orderliness.

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As always with free enterprise, it all started with a small idea.

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People like to know about others and like others to know about themselves.

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The Internet can make this happen.

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The film shows how the idea germinated within the microculture of Harvard University as

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Zuckerberg experimented with software solutions and gathered ideas from every possible source.

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He rendered dreams into code that became a phenom.

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The movie nicely illustrates how his entrepreneurship was driven by ideas, tested on a daily and

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hourly basis in response to consumer interest and demand, with constant refinements along

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the way.

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The ideas alone, however, were not enough.

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They were given life by technological genius.

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They were implemented through deep devotion and even a praiseworthy fanaticism.

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The film further shows that while making money and the profit and loss test are the crucial

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signs and seals of commercial success, in the long run, the drive for money was not

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the fundamental motivation for the creation of Facebook.

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Zuckerberg is shown as not caring about money.

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He cares about doing something creative, great and path-breaking.

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He cares about making a dent in the universe.

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When Facebook begins to take flight and really catch on, Zuckerberg is quoted as keenly realizing

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that its popularity, its coolness, is its main asset.

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He wisely sees that nothing should be done to risk that fundamental asset.

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The goal is not making as much money as soon as possible, but entrenching the love that

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people have for the thing that Facebook was making available.

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This attitude among entrepreneurs is far more common than conventional lore would suggest.

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The archetype is of an achievement-obsessed dreamer, not a greed-obsessed calculator.

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Another point that is bang on in this movie concerns the most difficult life lesson that

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that anyone of singular talent, any dreamer who achieves something wonderful must learn

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in life.

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We are born into this world believing that success in anything will be met with praise

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and acclaim.

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We are not often told the truth that we see in this film.

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Success is more likely to be met by envy, hate, disparagement, put-downs and loathing,

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sometimes from the most unexpected sources.

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The successful person in any field, and this is probably true in all times and all places,

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will find himself or herself quickly surrounded by wolves, many of them former sheep, seeking

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to ruin, wreck and destroy.

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Even the grandest achievements are put down as pure luck or credited to others or disparaged

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as being not so great.

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If there are laws that give the wolves the opportunity to work out their envy, they will

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will be employed.

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Every entrepreneur must prepare for this, expect it and deal with it.

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So it was that Facebook was met with early challenges and hate campaigns and it is no

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surprise in the digital age that the initial attack occurred on the issue of intellectual

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property.

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And here the film makes yet another great contribution.

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It shows how irrelevant IP is for business success and how it has become the preferred

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slogan of losers and the great excuse for whole classes of people with a bad business

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sense.

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He stole my idea is the great lie of our time because ideas cannot actually be stolen and

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there is no existing idea that is not in debt to some other idea.

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The film shows how fellow Harvard students Cameron and Tyler Winklevoss had asked Zuckerberg

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to write the code for their proposed site, Harvard Connection, which eventually became

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Connect U. Zuckerberg had other and more elaborate ideas brewing in his brain.

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Once Facebook took off, the Winklevoss twins cried foul and after having failed to crush

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Facebook through every other means, eventually sued Zuckerberg for violating their intellectual

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for Property, even though the projects shared none of the same code.

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There are a few choice lines in the movie.

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Zuckerberg is outraged at the idea that he had stolen anything.

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The Winklevoss twins still had their idea, it's just that they didn't do anything with

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it.

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And what if Zuckerberg had indeed relied in part on someone else's notion?

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As Zuckerberg is quoted as saying, does a guy who makes a really good chair owe money

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to anyone who ever made a chair?

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Silly Zuckerberg, using common sense in the face of the arcane and mixed-up world of IP.

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Another way to put it is a line Zuckerberg uses in the depositions after the lawsuit.

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He tells one of the twins, if you had invented Facebook, you would have invented Facebook.

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This sounds simple, but it is really all you need to know about the absurdity of such claims.

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Who wins and who loses in the marketplace is not arbitrary.

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The marketplace tends to separate the talkers from the doers, the dreamers from the risk-takers,

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the actors from the mere thinkers.

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If you can't create and can't compete, you can always claim a violation of intellectual

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property.

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Hey, under American law, there is nothing you can't use as the basis of a legal extortion

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scheme.

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An essential part of entrepreneurship is choosing which idea, among the millions that hit a

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person from every direction every day, one is going to use to influence a business venture.

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At one point in the film, a student comes up to Zuckerberg and asks him whether he knows

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if some particular girl has a boyfriend, and if so, how serious they are.

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This gives Mark the idea of permitting users of Facebook to announce their relationship

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Status on their individual pages.

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The addition of that one feature convinced him that it was time to go live.

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The new website was launched soon after.

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By the standards of IP, the fellow student who asked him this question has some stake

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in the profits of Facebook because that exchange gave rise to a crucial feature of the website.

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For that matter, every single user of Facebook has a stake.

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By carefully presenting many of the outside influences on Zuckerberg in a series of brilliant

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scenes that hit a huge variety of sectors and opinions, the film presents the reality

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of how ideas come to be, and shows how IP litigation has become a path for losers – a

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racketeering legal route for the resentful to loot the successful.

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After all, had Facebook not taken off and been a success, the Winklevoss twins would

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would have never imagined themselves to have been victimized at all.

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That fact alone shows that there is no real theft involved here.

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If someone steals your car, you are a victim whether the robber abandons the car or uses

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it to win a NASCAR race.

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IP only ends up being an issue when the defendant makes a go of it.

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Once any idea becomes a success, you can count on hordes of people to line up and claim that

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they had it first.

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Sure enough, the twins use the law to extort millions, and who is right and who is wrong

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– essential matters of justice – don't even figure into the decision to settle.

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Yet again, this is all too realistic.

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Especially telling is how the twins imagine how they will destroy Facebook out of resentment

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for Zuckerberg's success.

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They make no bones about it – they want to wreck it.

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So we see how IP ends up creating a moral hazard for the envious to set up barriers

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to social and economic progress.

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I have no idea about the real-life details of the case, but it is possible that the film

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underplays the extent to which Zuckerberg actually did gain valuable influence from

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the competitive effort to create the Harvard connection.

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And yet, as the film also shows, this is how great ideas come about.

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No great idea in this world is created out of nothing, contrary to the myth.

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Great ideas result from the interplay of a huge range of influences in all directions.

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The winner is the one who makes the commercial reality happen.

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Until then, it is all talk.

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A second legal issue portrayed in the film concerns Zuckerberg's squabbles with his

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best friend, who was named the CFO of Facebook before being squeezed out of the company when

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And the top players, among who is another legend, Sean Parker of Napster, concluded

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that he wasn't really up to the job.

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This case strikes me as a matter of manners and contract, but not intellectual property.

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The case was settled out of court.

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As Economic Policy Journal pointed out, this film could end up driving millions of young

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code-savvy students to become entrepreneurs, and further entice students into the world

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of Digital Enterprise.

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More than likely, this is not something people will learn in class.

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They will learn it from their extracurricular exposure to the fast-moving world of commerce

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and from developing an intuition about what really makes people tick and how to tap into

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that in the marketplace.

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You may not like Facebook, but it has, evidently, improved life for millions of people.

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In any case, for decades I've heard the intelligentsia disparage the latest thing, only to find those

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same people using that very technology a few years later.

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Today's technology bashers are tomorrow's late adopters.

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Just the other day, I visited an elderly gentleman, a prominent fiction writer in a retirement

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home.

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He treats his desktop computer as his lifeline to the world outside, permitting him to keep

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Keep up with all his extended family and communicate with friends all over the country.

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My mind raced back to a conversation I had with him 17 years ago.

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I had asked him what he thought of the internet and email.

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There was no web back then.

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He said that he regarded these innovations as the end of the world.

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He said it with an ominous tone in his voice.

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Well, perhaps he was right about that, but it was also the beginning of a new world that

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this very person has since learned to love.

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So it is with Facebook.

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Zuckerberg ended one world and began a new and better one for many millions of people.

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The social network shows how the commercial marketplace gave a code geek a chance to

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do that and how he did it.

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It is a film that celebrates the good guys, ridicules the bad guys, shows the reality

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of what any successful person will face, makes the legal system look like the pathetic enemy

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of enterprise that it truly is, and provides a tribute to entrepreneurship that is long

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overdue.

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This film is a glorious success.

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Which means, of course, that it is under attack.

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A Washington Post reviewer thinks that it doesn't show how private innovation is really

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is really just luck of the draw, and it fails to highlight the wonderful essentials of public

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infrastructure as provided by government.

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Yeah, sure, and this reviewer might back a similar movie called The Government Network,

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starring bureaucrats and their defenders at the post, and see how it does at the box office.
