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NOTE 8. The First Truly Literate Generation

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1.

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The first truly literate generation Remember those silly days in the 1990s when

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Clinton, Gore and their friends cobbled together our money to put computers in every classroom

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and community centre?

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The hope was that the computer would at last do what the government has so far been unable

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to do after a century of work – make every child literate and high-minded.

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It turned out that most of the new computers gathered dust and became obsolete.

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The Web was dull and uneventful in those days, but no longer.

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It turns out that there was a kernel of truth in the Clinton view – computers can be a

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wonderful tool for learning.

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What looks like time-wasting provides important technical training, a vehicle for healthy

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socializing, access to a vast world of information from all ages, and crucial practice for literary

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Expression that will pay lifelong returns – no, it won't turn a pig's ear into

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a silk purse, but it can give a kid an extra boost in many ways.

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Hey, wow, my son just won the World Cup on his video game!

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Consider the major one – writing ability.

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For practicing writing, getting feedback from peers and just for the joy of composition,

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Blogs and forums and even Facebook updates are wonderful opportunities for kids – though

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close in it, kid boutiques are probably a more fruitful and safer venue.

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Such venues are a great way for kids to meet other kids who share their interests, expand

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geographical knowledge, gain broad cultural awareness and gain technical web experience

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in writing, coding, working with images and much more.

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Large venues get kids past the technophobia that has crippled so many adult careers.

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They provide an outlet for creativity, and they give kids what they need most – an

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opportunity and excuse to write every day.

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Now I know that we're supposed to bemoan the loss of the quill, pen and parchment.

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We're supposed to weep because people no longer ache over long letters and put wax

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seals on their missives.

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I know how bad punctuation and crazy neologisms – LOL, BRB, TTYL – are corrupting English.

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But punctuation and abbreviations are small technical problems compared with the major

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issue that plagues bad writing – pomposity, jargon, preachiness, and prose that is stilted

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and labored.

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These are all the results of inexperience and a lack of direction, and blogging goes

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Proves a long way toward addressing both problems.

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What is true of blogs is also true of email, messaging and texting.

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Don't tell me that these are too informal.

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Informal is far better than prose strewn with words that the writer himself can't deploy

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with competence – repeating words like important fifty times, as in, at this stage in my narrative

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I find that it is important to note the important distinction between what is important here

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and what is not.

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Ask any English teacher from any age – the first articles they get from students are

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riddled with these problems.

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The writer tries to sound smart, but just ends up sounding puffed up and absurd.

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They have nothing to say, as if they composed the piece while forgetting that the main point

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of writing is to communicate.

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This is not only a problem in our time.

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Mark Twain famously satirized the 19th century approach to teaching writing in Tom Sawyer

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in his reporting of a schoolgirl's composition examination.

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A prevalent feature in these compositions was a nursed and petted melancholy.

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Another was a wasteful and opulent gush of fine language.

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Another was a tendency to lug in by the ears particularly prized words and phrases until

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they were worn entirely out.

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And a peculiarity that conspicuously marked and marred them was the inveterate and intolerable

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Sermon that wagged its crippled tail at the end of each and every one of them.

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And so Twain gives an example, from the first girl who read her composition.

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In the common walks of life, with what delightful emotions does the youthful mind look forward

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to some anticipated scene of festivity?

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Imagination is busy sketching rose-tinted pictures of joy.

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In Fancy the voluptuous votary of fashion sees herself amid the festive throng, the observed

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of all observers.

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Her graceful form arrayed in snowy robes is whirling through the mazes of the joyous dance.

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Her eye is the brightest, her step is the lightest in the gay assembly.

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In such delicious fancies time quickly glides by, and the welcome hour arrives for her entrance

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into the Elysian World, of which she has had such bright dreams.

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How fairy-like does everything appear to her enchanted vision?

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Each new scene is more charming than the last, but after a while she finds that beneath this

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goodly exterior all is vanity.

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To be sure, a high school student who wrote this well today would be considered a genius,

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But it's still insufferable – it's artificial, affected, puffed up and vacuous.

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Why do students write this way?

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They don't have an audience, they don't have anything to say, and they haven't written

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enough to acquire real skill.

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Let's take the last point first.

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The acquisition of expertise in any field is the product of relentless repetition.

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The World Series in baseball, for example, is the culmination of tens of thousands of

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of Batting Sessions and Casual Games of Catch in the Backyard and Practice Field.

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But somehow we tend to forget this with writing and composition.

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The main experience kids have with it is through a string of high-pressure performances – term

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papers for class.

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Digital communication is different – it is something you write every day.

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You fire off answers in a flash, you keep them short.

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You write and write and write, and you get your point across.

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Basically you just do it and do it again and again, and you get better and better at it.

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Writing becomes part of life, not a phony baloney exercise you affect to please an authority

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figure.

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And yes, digital communication overcomes the something-to-say problem too.

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The purpose is to make a point of some sort, even if it is, my little brother is driving

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me crazy!

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That is far more substantive than, imagination is busy sketching rose-tinted pictures of

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joy.

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Finally, digital communication provides an audience.

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Knowing who is going to read what you are writing makes all the difference.

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A major cause of writer's block is fear of what people you don't know will think

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of what you say.

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Kids need to know for whom they are writing in order to affect the correct voice.

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The audience for email is listed right up top in the TO bar.

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The following happens all the time when people submit pieces to Mises.org.

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Someone will send an incoherent piece, and I'll write back, what are you trying to say?

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They will then write back with a crystal clear response, which forms the basis of a new draft.

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The writer had an audience in mind, and it made all the difference.

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Try this at home.

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Ask your child to write a report on some topic – insist that it be five pages.

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If the kid is typical, he will labor for days and turn in PAP.

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Give that same kid a Gmail account and ask him to drop you an email about what he knows

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about lizards, and you might find five pages arriving in less than an hour.

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This is a wonderful and underappreciated medium – it should be exploited by all parents

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and educators.

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Apart from killing literacy, email is producing the first fully literate society in many eons

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– perhaps ever.

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Never before has it been so necessary that every person in the whole of the population

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be capable of writing well.

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For the first time in history, people are practicing the craft on a daily basis, even

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from the youngest ages – the sooner they begin, the better.

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One last word on this topic – do not let kids type using an incorrect method.

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Download TypingPal for $20, and your kid will be typing well in a matter of weeks, without

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having to endure the horrors of typing class, which is another subject entirely.
